MBELING POETRY: HISTORY, VIEWS, AND COLLECTION OF POETRY MBELING
MBELING POETRY: HISTORY, VIEWS, AND COLLECTION OF POETRY MBELING
Mbeling poetry, interpreted as forms of poetry that do not follow the rules. What is meant here is a poem rule provisions generally applicable in the creation of a poem (Suharianto 2005: 49-54).
Early Poems Mbeling Occurrences
Mbeling original poetry is a poetry room name in a magazine in 1972 that XAktuil magazine. The name of this poetry section applies only in 1972-1973. In 1973 the space in the magazine Poetry Mbeling XAktuil this turned into a poem Lugu and in 1975 changed again to Poetry Laity. In further developments a name poem Mbeling who later became famous and became a popular name of poetry Indonesia today.
The birth of poetry mbeling initially driven by an imbalance of passion and creativity of young people in writing a poem with a number of literary magazines available. Literary magazine at that time there were only three of course has limitations in accommodating the literary works of young people at that time. On the other hand, many poems that young children can not enter due to lack of requirements in writing the poem itself plus they have to compete with the poets who already have big names, of course, the famous poet who already have a much greater chance to display his works. Feeling a "oppression" and the injustice is what drives the emergence of these popular poems.
Basic view of emergence of Poetry Mbeling
Young poets take poetry and kepenyairan at that time is not healthy. Morbidity occurred as a result of panempatan poetry in a place so high.
The young poets believe that poetry is not something that is very noble. Even Sylado Remy (1974) assume that poetry should be placed on the soles of the feet. One need not be too serious in the matter of poetry. Write a poem does not need to be seen as a difficult job. Good bad poetry produced is a relative.
Poet mbeling assume that all things can disajakkan. Not necessarily something grandiose. Not necessarily convoluted. In poetry there is no taboo. The sacred. And upheld. What can be quipped. Ridiculed. Mocked. The most important thing in the rhyming is honesty, candor, and kesertamertaan. Making poetry does not need stealth, shy, or reluctant mennyatakan opinion. Attitudes too polite even considered a hypocrisy.
With views of the poets who used this mbeling then do not be surprised if their poetry (poetry mbeling) contains jokes, banter, teasing, playful, and criticism. Another view of this is the most important poet of the work they are able to please the reader, at least can make the reader laugh even though their work may be quickly forgotten, not durable, and not eternal.
Poetry Mbeling
HORAS I TO, ISE DO MARGAMU
beta patirajasinga
rajasingan singaraja
rajaraja segala raja
jesus kristus raja diraja
raja garong raja koruptor
raja pop singer raja segala
rajagukguk nama marga batak!
WAKTU DOA ULANG TAHUN FRYA IMAM BONJOL
terima kasih Tuhan atas hidangan ini
berhubung botty tiba-tiba kentut
terpaksa
amin kami ganti dengan
jancuk
INDONESIA I
Dari Solo Balapan
Lokomotip berbunyi
Preeeeeeee
Bus bus bus
Orang Jawa
makan tempe
gembus.
INDONESIA II
Kondom bukan moncong
Odol bukan pete
Orang Sunda makan oncom
Orang Madura jual sate.
INDONESIA III
Katak bukan bedak
Jalang tukang borong
Batak banyak gertak
Batang banyak omong
(Aktuil, No.110. Des. 72)
BURUNG KONDOR DAN MASTODON
selamat malam tuan rendra
oh, tuan laki-laki bukan?
burung
tuan
kondor, kedodor.
(Aktuil, No. 136, 1974)
SAMBIL KEDAP KEDIP MAKAN GUDEG YOGYA
Haiya !
seorang Enghiong belajar bikin puisi
menggelandang di Malioboro biar dibilang
seniman
badannya jadi ceking sebab kelaparan
tapi ia masih bisa tepuk dada
biarpun berantam sudah tak bisa
makannya cuma mimpi biar dibilang pilosop
serius
bikin puisi dari tai kucing sambil mengeong
ampas Sartre, Heidegger dan Bergson
disangka gudeg
dimakan lahap sambil kedap kedip.
eeeeeeeeeeeeeeeeeeeeeeeeeek!
Hatsyiiiiiiiiiiiii!
(Aktuil, No. 146, Juni 74)
BELAJAR MENGHARGAI HAK AZAZI KAWAN
Jika
laki mahasiswa
ya perempuan mahasiswi
jika
laki saudara
ya perempuan saudari
jika
laki putra
ya perempuan putri
jika
laki kawan
ya perempuan kawin
jika
kawan kawin
ya jangan diintip
(Aktuil,?)
MENCAKAR DADA MEREMAS BUKIT
sambil cengar cengir Bu Pun Su mengajar silat
pada Ang Niocu murid perempuannya
lamanya sekian bulan
sesudah mahir Ang Niocu ujian
ia menggeletak kena pukulan ciamik suhunya
dadanya jadi bengkak perutnya jadi kembung
itulah ajaran Lonciapwe budiman.
(Aktuil, No. 146, Juni 74)
KESETIAKAWANAN ASIA-AFRIKA
Mei Hwa perawan 16 tahun
Farouk perjaka 16 tahun
Mei Hwa masuk kamar jam 24.00
Farouk masuk kamar jam 24.00
Mei Hwa buka blouse
Farouk buka hemd
Mei Hwa buka rok
Farouk buka celana
Mei Hwa buka BH
Farouk buka singlet
Mei Hwa buka celana dalam
Farouk buka celana dalam
Mei Hwa telanjang bulat
Farouk telanjang bulat
Mei Hwa pakai daster
Farouk pakai daster
Mei Hwa naik ranjang
Farouk naik ranjang
Lantas mereka tidurlah
Mei Hwa di Taipeh
Farouk di Kairo
(Aktuil, No. 107, 1972)
SEMINAR TENTANG GIZI
Profesor Selabintana mengajukan question
di depan mahasiswa-mahasiswinya.
“Apakah beda tahu dan tempe?”
seorang mahasiswi dari Banyumas sekonyong-konyong
mengangkat ibu jari dan ngomong:
“profesor, kalau tahu dibalik tidak gosong, tapi kalau
tempe dibalik yang nampak bokong!”
seminar tentang gizi berubah menjadi adegan
sex.
(Top, No. 42, 1976)
SAKIT TAPI RINDU
Bukan hanya sekedar melepas gaunku ohh
sayang ………………
Bukan hanya sekedar memeluk diriku ini
sayang ………………
Sakit badanku kau buat begitu …………
Kau datang dan pergi sesuka hatimu ohh
nafsunya engkau, ganasnya engkau, padaku
kau datang dan pergi sesuka hatimu ohh
perihnya anu, sakitnya anu, karnamu
perihnya anu ini tapi aku mauuuu………
sakitnya anu ini namun aku rinduuuu…………..
(Stop, No. 470, 24 Nopember 78)
Of the several examples of poetry mbeling contained in several magazines in the years 70s we can see how the poems of this type are written freely without any restriction, both in terms of writing and content. In terms of content criticism, satire, mockery, and ridicule was done very openly.
Pranks and jokes in poetry mbeling many problems regarding sex or sex oriented. That's because it's in the daily life of our society, the problem most widely used sex as a prank or joke material. In writing poetry with sexual themes, the poets of this mbeling kevulgaranya was sometimes outrageous.
Mbeling poetry, interpreted as forms of poetry that do not follow the rules. What is meant here is a poem rule provisions generally applicable in the creation of a poem (Suharianto 2005: 49-54).
Early Poems Mbeling Occurrences
Mbeling original poetry is a poetry room name in a magazine in 1972 that XAktuil magazine. The name of this poetry section applies only in 1972-1973. In 1973 the space in the magazine Poetry Mbeling XAktuil this turned into a poem Lugu and in 1975 changed again to Poetry Laity. In further developments a name poem Mbeling who later became famous and became a popular name of poetry Indonesia today.
The birth of poetry mbeling initially driven by an imbalance of passion and creativity of young people in writing a poem with a number of literary magazines available. Literary magazine at that time there were only three of course has limitations in accommodating the literary works of young people at that time. On the other hand, many poems that young children can not enter due to lack of requirements in writing the poem itself plus they have to compete with the poets who already have big names, of course, the famous poet who already have a much greater chance to display his works. Feeling a "oppression" and the injustice is what drives the emergence of these popular poems.
Basic view of emergence of Poetry Mbeling
Young poets take poetry and kepenyairan at that time is not healthy. Morbidity occurred as a result of panempatan poetry in a place so high.
The young poets believe that poetry is not something that is very noble. Even Sylado Remy (1974) assume that poetry should be placed on the soles of the feet. One need not be too serious in the matter of poetry. Write a poem does not need to be seen as a difficult job. Good bad poetry produced is a relative.
Poet mbeling assume that all things can disajakkan. Not necessarily something grandiose. Not necessarily convoluted. In poetry there is no taboo. The sacred. And upheld. What can be quipped. Ridiculed. Mocked. The most important thing in the rhyming is honesty, candor, and kesertamertaan. Making poetry does not need stealth, shy, or reluctant mennyatakan opinion. Attitudes too polite even considered a hypocrisy.
With views of the poets who used this mbeling then do not be surprised if their poetry (poetry mbeling) contains jokes, banter, teasing, playful, and criticism. Another view of this is the most important poet of the work they are able to please the reader, at least can make the reader laugh even though their work may be quickly forgotten, not durable, and not eternal.
Poetry Mbeling
HORAS I TO, ISE DO MARGAMU
beta patirajasinga
rajasingan singaraja
rajaraja segala raja
jesus kristus raja diraja
raja garong raja koruptor
raja pop singer raja segala
rajagukguk nama marga batak!
WAKTU DOA ULANG TAHUN FRYA IMAM BONJOL
terima kasih Tuhan atas hidangan ini
berhubung botty tiba-tiba kentut
terpaksa
amin kami ganti dengan
jancuk
INDONESIA I
Dari Solo Balapan
Lokomotip berbunyi
Preeeeeeee
Bus bus bus
Orang Jawa
makan tempe
gembus.
INDONESIA II
Kondom bukan moncong
Odol bukan pete
Orang Sunda makan oncom
Orang Madura jual sate.
INDONESIA III
Katak bukan bedak
Jalang tukang borong
Batak banyak gertak
Batang banyak omong
(Aktuil, No.110. Des. 72)
BURUNG KONDOR DAN MASTODON
selamat malam tuan rendra
oh, tuan laki-laki bukan?
burung
tuan
kondor, kedodor.
(Aktuil, No. 136, 1974)
SAMBIL KEDAP KEDIP MAKAN GUDEG YOGYA
Haiya !
seorang Enghiong belajar bikin puisi
menggelandang di Malioboro biar dibilang
seniman
badannya jadi ceking sebab kelaparan
tapi ia masih bisa tepuk dada
biarpun berantam sudah tak bisa
makannya cuma mimpi biar dibilang pilosop
serius
bikin puisi dari tai kucing sambil mengeong
ampas Sartre, Heidegger dan Bergson
disangka gudeg
dimakan lahap sambil kedap kedip.
eeeeeeeeeeeeeeeeeeeeeeeeeek!
Hatsyiiiiiiiiiiiii!
(Aktuil, No. 146, Juni 74)
BELAJAR MENGHARGAI HAK AZAZI KAWAN
Jika
laki mahasiswa
ya perempuan mahasiswi
jika
laki saudara
ya perempuan saudari
jika
laki putra
ya perempuan putri
jika
laki kawan
ya perempuan kawin
jika
kawan kawin
ya jangan diintip
(Aktuil,?)
MENCAKAR DADA MEREMAS BUKIT
sambil cengar cengir Bu Pun Su mengajar silat
pada Ang Niocu murid perempuannya
lamanya sekian bulan
sesudah mahir Ang Niocu ujian
ia menggeletak kena pukulan ciamik suhunya
dadanya jadi bengkak perutnya jadi kembung
itulah ajaran Lonciapwe budiman.
(Aktuil, No. 146, Juni 74)
KESETIAKAWANAN ASIA-AFRIKA
Mei Hwa perawan 16 tahun
Farouk perjaka 16 tahun
Mei Hwa masuk kamar jam 24.00
Farouk masuk kamar jam 24.00
Mei Hwa buka blouse
Farouk buka hemd
Mei Hwa buka rok
Farouk buka celana
Mei Hwa buka BH
Farouk buka singlet
Mei Hwa buka celana dalam
Farouk buka celana dalam
Mei Hwa telanjang bulat
Farouk telanjang bulat
Mei Hwa pakai daster
Farouk pakai daster
Mei Hwa naik ranjang
Farouk naik ranjang
Lantas mereka tidurlah
Mei Hwa di Taipeh
Farouk di Kairo
(Aktuil, No. 107, 1972)
SEMINAR TENTANG GIZI
Profesor Selabintana mengajukan question
di depan mahasiswa-mahasiswinya.
“Apakah beda tahu dan tempe?”
seorang mahasiswi dari Banyumas sekonyong-konyong
mengangkat ibu jari dan ngomong:
“profesor, kalau tahu dibalik tidak gosong, tapi kalau
tempe dibalik yang nampak bokong!”
seminar tentang gizi berubah menjadi adegan
sex.
(Top, No. 42, 1976)
SAKIT TAPI RINDU
Bukan hanya sekedar melepas gaunku ohh
sayang ………………
Bukan hanya sekedar memeluk diriku ini
sayang ………………
Sakit badanku kau buat begitu …………
Kau datang dan pergi sesuka hatimu ohh
nafsunya engkau, ganasnya engkau, padaku
kau datang dan pergi sesuka hatimu ohh
perihnya anu, sakitnya anu, karnamu
perihnya anu ini tapi aku mauuuu………
sakitnya anu ini namun aku rinduuuu…………..
(Stop, No. 470, 24 Nopember 78)
Of the several examples of poetry mbeling contained in several magazines in the years 70s we can see how the poems of this type are written freely without any restriction, both in terms of writing and content. In terms of content criticism, satire, mockery, and ridicule was done very openly.
Pranks and jokes in poetry mbeling many problems regarding sex or sex oriented. That's because it's in the daily life of our society, the problem most widely used sex as a prank or joke material. In writing poetry with sexual themes, the poets of this mbeling kevulgaranya was sometimes outrageous.